🎵 Today’s album, “Cut & Stitch” by Petrol Girls. It’s fun, furious, feminist punk rock, peppered with rage, teeming with energy, tinged with emotion, and full of interesting and varied soundscapes.

❓Do any micro-bloggers use reusable grocery bags? I’m trying to find something suitable for huge shopping trips (imagine a shopping cart filled to the brim). The boxy, rigid-sided ones seem appealing, but I’m not so sure about machine washing them, which apparently is necessary.

🎵 Today’s album: “Diatom Ribbons” by Kris Davis

Kris Davis is a jazz pianist, composer, and bandleader. The New York Times crowned “Diatom Ribbons” as the #1 jazz album of 2019:

Kris Davis, 39, has spent years as her generation’s powerhouse pianist in waiting. No longer. On “Diatom Ribbons,” her skills as a composer, band assembler, system builder and improviser — a musical auteur, basically — come fully into focus. Ms. Davis builds her compositions on crooked patterns and splintered loops that somehow become a kind of magnetic touchstone, bringing together wildly diverse musicians in tangled unity.

I don’t listen to jazz that much anymore but I used to listen to it for hours on end as I read and wrote my way through my senior year of college. (It helped that I could get countless jazz CDs for free at the library.) “Diatom Ribbons” is more edgy and experimental than the classic jazz I grew up on, but I found it quite enjoyable. Listening to it is like visiting a musical world I kind of understand, and kind of don’t, but feeling warm and welcome all the same.

I need to start thinking of exercise as an excuse to watch TV rather than as punishment for eating too many cookies.

🤫 Don’t mind me, I’m just testing new 🎧 today. 🎵😃🎵

As with the original Segway, my thoughts on this new product are: “why would anybody want this?”

🎵 In lieu of music this morning, I’m listening to the folks at The Incomparable overanalyze The Rise of Skywalker. It’s fun to listen to, especially because the last two Star Wars movies were so divisive. It will be fun to hear Gruber’s take on “The Talk Show” someday.

This article about ChromeOS’s shortcomings made me wonder just how much better the web would be if Google had never bought Android. Once, Google made some of the best user-facing software for the web. It has not done so in years, in my opinion.

🎵 Today’s album: “Two Hands” by Big Thief. I saw this album on the top of Bob Boilen’s top ten albums of 2019 list. I liked it a lot more than I liked UFOF, but I don’t think this band speaks to me. I probably will revisit the first half of this album sometime, but that’s about it.

I forgot this guy was even running for president.

🎧 Does tremolo that ping-pongs between the left and right channels bother everybody who listens through headphones, or is it just me? It literally makes me feel seasick. 🤢

🎵 I can’t decide on an album to listen to this morning. I wish there was a playlist for “how do I start the work week on a Thursday after nearly two weeks off?” I guess Jason Snell’s 2019 Selections playlist will do for now.

This list of the 50 best shows on Netflix cheats a bit by actually recommending 100 series. The amount of content out there is just overwhelming.

I want to start coding every night once again. I kind of fell out of the habit last year due to being sick, exhausted, or busy with holiday-related stuff. Now’s as good a time as any to jump back into my personal projects with both feet.

When Christmas Day and New Years Day fall on Wednesdays, the end of the year feels like a series of three-day weekends, rather than a week or so off. Tomorrow and Friday will likely be quiet, kind of pointless work days.

I am not planning to look back and reflect on 2019. Instead I will look forward to the future.

🎬 I really enjoyed Rise of the Skywalker. Sure, it contains fan service, but, honestly, all sequels are fan service. I liked it a lot more than The Last Jedi, and think that reviewers like A.O. Scott are just blowing off steam about franchise films or something.

🎵 Album of the day: Better Oblivion Community Center’s eponymous debut. B.O.C.C. is the duo of Phoebe Bridgers and Conor Oberst. I’m only familiar with Conor Oberst, and I think this album fits in very well with the rest of his work. It is quiet, moody indie rock. The songs are beautiful and the production sounds good.

When I read articles about the obesity rate in the United States, like this one, I’m surprised to learn that it is as low as 40%. It seems so much higher here.

I’m really looking forward to latkes all of a sudden.

🎵 Album of the Day: “Designer” by Aldous Harding. It is a quiet, intimate, folksy album that reminded me a little of Hope Sandoval from Mazzy Star.

Obamacare Insurance Mandate Is Struck Down by Federal Appeals Court

Abby Goodnotes reports in the New York Times:

A federal appeals court on Wednesday struck down a central provision of the Affordable Care Act, ruling that the requirement that people have health insurance was unconstitutional.

Who didn’t see this coming? Surely not the Republicans in Congress who removed the ACA tax penalty for not having health insurance.

Pop mastermind Jack Antonoff is N.J.’s artist of the decade

Bobby Oliver posted a profile of one of my favorite current musicians (songwriter, producer, collaborator, and band leader), Jack Antonoff:

Antonoff is an overwhelming, chameleonic presence and an easy pick as New Jersey’s most dynamic and prolific artist of the 2010s — no local musician has created so much or touched so many corners of the industry. His extensive impact is felt at the Grammys, on the radio and deep within whatever streaming service millennial listeners call home.

I can’t agree with this more.

I bought my ticket to “Star Wars: Rise of the Skywalker” and can’t wait until Friday night to be disappointed by it. 😅

The Miseducation of the American Boy

Peggy Orenstein’s article in The Atlantic exploring the sorry state of musculinity, as experienced by the American teenager, is well written and worth reading:

Feminism may have provided girls with a powerful alternative to conventional femininity, and a language with which to express the myriad problems-that-have-no-name, but there have been no credible equivalents for boys. Quite the contrary: The definition of masculinity seems to be in some respects contracting. When asked what traits society values most in boys, only 2 percent of male respondents in the PerryUndem survey said honesty and morality, and only 8 percent said leadership skills—traits that are, of course, admirable in anyone but have traditionally been considered masculine. When I asked my subjects, as I always did, what they liked about being a boy, most of them drew a blank. “Huh,” mused Josh, a college sophomore at Washington State. (All the teenagers I spoke with are identified by pseudonyms.) “That’s interesting. I never really thought about that. You hear a lot more about what is wrong with guys.”

In order to make masculinity less toxic, we (men especially) have to define it in positive, attainable attributes. To be masculine should mean (1) to have self-discipline, (2) to take responsibility for your actions (even when you are wrong), and, most importantly, (3) to care for people (friends, family, community, and those who are vulnerable) with your words and actions. Masculinity should be about using your strength-both physical strength and, more importantly, inner strength-to preserve and protect people, society, and nature, as best you can. I don’t think this is a new definition of masculinity, though. I think it is a very, very old one—one whose traits do not stand in contrast with femininity, but, instead, they overlap and support femininity—and feminism too.